Two by Billy Collins

January In Paris

Poems are never completed - they are
only abandoned
   - Paul Valéry

That winter I had nothing to do
but tend the kettle in my shuttered room
on the top floor of a pensione near a cemetery,

but I would sometimes descend the stairs,
unlock my bicycle, and pedal along the cold city streets
often turning from a wide boulevard
down a narrow side street
bearing the name of an obscure patriot.

I followed a few private rules,
never crossing a bridge without stopping
mid-point to lean my bike on the railing
and observe the flow of the river below
as I tried to better understand the French.

In my pale coat and my Basque cap
I pedaled past the windows of a patisserie
or sat up tall in the seat, arms folded,
and clicked downhill filling my nose with winter air.

I would see beggars and street cleaners
in their bright uniforms, and sometimes
I would see the poems of Valéry,
the ones he never finished but abandoned,
wandering the streets of the city half-clothed.

Most of them needed only a final line
or two, a little verbal flourish at the end,
but whenever I approached,
they would retreat from their ashcan fires
into the shadows - thin specters of incompletion.

forsaken for so many long decades
how could they ever trust another man with a pen?

I came across the one I wanted to tell you about
sitting with a glass of rosé at a café table -
beautiful, emaciated, unfinished,
cruelly abandoned with a flick of panache

by Monsieur Paul Valéry himself,
big fish in the school of Symbolism
and for as time president of the Committee of Arts and Letters
of the League of Nations if you please.

Never mind how I got her out of the café,
past the concierge and up the flight of stairs -
remember that Paris is the capital of public kissing.

And never mind the holding and the pressing.
It is enough to know that I moved my pen
in such a way as to bring her to completion,

a simple, final stanza, which ended,
as this poem will, with the image
of a gorgeous orphan lying on a rumpled bed,
her large eyes closed,
a painting of cows in a valley over her head,

and off to the side, me in a window seat
blowing smoke from a cigarette at dawn.

Billy Collins

from Aimless Love: New and Selected Poems
Isn't it best and right to explore every new lace by bike? And who hasn't dreamed of living for a time in the City of Light?

Cemetery Ride

My new copper-colored bicycle
is looking pretty fine under a blue sky
as I pedal along one of the sandy paths
in the Palm Cemetery here in Florida,

Wheeling past the headstones of the Lyons,
the Campbells, the Dunlaps, and the Davenports,
Arthur and Ethel, who outlived him by 11 years
I slow down even more to notice,

but not so much as to fall sideways on the ground.
And here's a guy named Happy Grant
next to his wife Jean in their endless bed.
Annie Sue Sims is right there and sounds

a lot more fun than Theodosia S. Hawley.
And good afternoon, Emily Polasek
and to you too, George and Jane Cooper,
facing each other in profile, two sides of a coin.

I wish I could take you all for a ride
in my wire basket on this glorious April day,
not a thing as simple as your name, Bill Smith,
even trickier than Clarence Augustus Coddington.

Then how about just you, Enid Parker?
Would you like to gather up your voluminous skirts
and ride side-saddle on the crossbar
and tell me what happened between 1863 and 1931?

I'll even let you ring the silver bell.
But if you're not ready, I can always ask
Mary Brennan to rise from her long sleep
beneath the swaying gray beards of Spanish moss

and ride with me along these halls of the dead
so I can listen to her strange laughter
as some crows flap overhead in the blue
and the spokes of my wheels catch the dazzling sun.

Billy Collins

from Aimless Love: New and Selected Poems

Again a cemetery. Billy Collins recently, like the poet Mary Oliver, relocated from the Northeast to Florida. It's good to know he also rides with a basket and a bell.