Sunday, February 15, 2026

Kiss. Baptism.

 by David Campos

The night fills with charged chatter
from the bar we exited. I ask if I can kiss
her
and wonder what door this will open.

Soon, she'll be gone for two weeks,
and I'll ride my bike out to a bench
close to a canal where the crows eat the
fallen

left-over fruit from the orchards.
They've been cleared to build new doors
over the rotting roots. Each day she's
gone,

I chain smoke to ease nerves and call her,
already out of breath. Her voice, an elixir I 
savor
like the small and sudden bursts of a 
breeze

cooling my forehead; baptism is a doorway
for faith.
It's been hard to believe in love again,
but faith is at the center of every request.

She answered by kissing me, unlocking
all the terror stored in these clouds of
flesh.
But I remember how easily and quickly

the mind travels vast distances to find
meaning
in the strange and striking shapes of our
lives.
I felt her sweat on my lips. Baptism.

from Poem-a-Day, February 13, 2026




The ecstasy now

is simply my hand scratching my head
underneath what is left of my hair
and noticing the rolled cuffs--plaid--
of the man exiting the parking lot.
Or "the man existing the parking lot,"
as I just mistakenly wrote.
There is ecstasy sometimes in intending
exiting, but writing existing.
Certainly the ecstasy now is the simple pigeon
flying through the simple sky
and my simply being able to see it.
It's the blue car,
the red car, and all the rest
of the revving motors lined up
inside my heart: that they so want
to race until the end of time.
The ecstasy now
is the gray day growing grayer.
It's even diabetes
with its bloody little pricks
delivering the glucose news.
And it's that woman over there
in the billowing dress
on the purple bicycle, deciding
at the last minute to turn left
into traffic, and still, she lives.

It is the stooped-over man
with the wide-brimmed, too-heavy hat
in that Japanese movie,
the old black-and-white one.
He goes to the doctor and overhears, by accident,
he has seventy days left; seventy-five tops. God knows
what gets into him, but he finds
a shovel and a rake and makes
a little neighborhood park by poking around
under some old trees, I don't remember, maybe oaks, 
maybe ancient maples. But big ones, trees that understand
how to dignify the little world of his neighborhood.
Day after day, the scratching and digging. The rearranging.
He lives long enough to stand under those trees,
when finally the park is done. It is December now,
day falling into darkness, big hat in hand,
snow slowly descending all around him,
those fluffy flakes that only fall
in that dreamy way in movies.
Isn't now the time to pick up your shovel and start?

by Jim Moore 
from Prognosis








Prayer to the Road

by Lesyn Panasiuk
Translated from the Ukrainian by Katie Farris & Ilya Kaminsky


Old bicycles stubbornly pull sticks into their wheels,
pull everything into their mouths
like infants still discovering the world.

They often break their own teeth and jaws,
scraping their black, rubber lips
which bleed air.

They tell too many stories. 
They no longer remember where
they meant to wheel us.

They pray to the roads,
endlessly kissing the asphalt like it was
a vast self-portrait
of God,
begging
and begging to stop --
yet, like a vast

self-portrait of God, they cannot stop.

from Poetry Magazine, December 2025


alameda point

 by David Maduli

- after lucille clifton

the estuary opens to the bay
and the bay stretches into the pacific and so
on
therefore and such-and-such,
none of them empty or full
in the way no frame can minimize nor
contain horizon--
yet the ocean can be it, even when sky
and sea are the same late summer gray
they blend together erasing, making
each other. the humpback whale
breaching the slate screen is the only
one who knows the tension between.
here arrive two children winding bikes
on the path to the point passing succulents
and ground squirrels, and three pelicans
follow in spinning dives to slash
down on this estuary guarded
by gurgling sea lions. the children
collecting rocks and examining mussel shells,
millennia in their hands, nod to each other
and laugh
racing childhood to the pier's edge.

from Poem-a-Day, April 14, 2025